"Léger comes back to the human figure play, associating it to his landscapes, or to the factory work, growing the mechanic to a symbolic person of our century, (...), or finally refreshing him of his pains at the accordion sound and through the suburban Sunday leisures, from the bicycle walk to the partie de campagne." (J. Cassou)
Many Parisian galleries, as Guillon-Lafaille, Hopkins-Thomas or Malingue, have participated to this work, today essential.
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