Gothic sculpture, whose first developments began in the middle of the 12th century, when Romanesque art was still in full swing, is one of the peaks of European humanism. This art is revealed in churches and cathedrals whose decorations illustrate the great cycles of Christian history, but also in an autonomous way, especially from the 13th century onwards.
Rich in exceptional iconography, this monograph considers the artistic variety of Gothic sculpture and places it in its context of creation.
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